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Threaded Ed.21 is conceptually underpinned by a Te Ao Maori viewpoint with cultural and collaborative frameworks that adhere to tikanga Maori (Maori customary practices) and Matauranga Maori Kawa (Maori knowledge and protocol). The structure and navigational system of Threaded Ed. 21 is based on the Waiata song Ko te Pu and incorporates visual, augmented, and sonic design queues to communicate the multi layered beginning story.
The book uses 3D embossing to document and highlight the intricate details of the works meticulously crafted by traditional Singaporean artisans, from paper dragon boats and Indian jewelry to Peranakan beaded shoes. The color pages symbolize the rise and fall of traditional crafts, as the industry begins its developmental period (dull) to its golden age (yellow) and gradually fades (white). A pastel chalk is attached for readers to shade the pages and discover the lost arts of this intangible cultural heritage of Singapore, as only we humans can safeguard, support and bring it back.
Tales of exploration, discovery, conflict, and the trials of an enduring pioneer spirit fill the narrative of the visual history book, the first documentation of the heritage of the two primary families who settled in and founded the City of Vienna in West Virginia in the late 1700s. From Viking warriors and the English monarchy to the American gentry and colonial generals, the publication features archival documents, maps, as well as other artifacts that provide insight on the history and ancestry of the families, providing context in light of world events.
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A typographic design book with various stories including the importance in the development of Korean terminology and collaboration between designers. The book The Journey of Arita covers everything related to the Arita font, which has long been veiled, encompassing how the corporate typefaces were born, the story behind the font design, cases where these typefaces were used, interviews with 14 of the designers involved in the design per font, documentary photographs showing the process of creating typefaces, and products and books that use the Arita font.
The designer aimed for the book not only to remind of the past, but also to reflect the present, so the bright orange and black colours was chosen, which is a symbol of energy, creativity, and the thematic colour of the present institution at the premises. The book is designed in a minimalistic way while the sleeve itself has no title, only the period of time and a stylized owl encoded on its front, which is a symbolic way of marking the centenary and school location. Classic printing technologies, such as offset printing and hot stamp foiling, was used to achieve the result.
This concept design for BAM’s New Wave event captures the dynamic energy of theater through die-cut typography and stage-inspired lighting patterns. Drawing from the movement of drapes and the interplay of light and shadow, the design creates a layered, immersive experience. Each chapter features distinct patterns blended with imagery, forming a cohesive visual narrative that reflects the event’s diverse themes while maintaining a unified identity.
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